Alive and kicking in Paris

The room is dark, illuminated only by glowing champagne buckets at the centre of each red velvet booth. Then, to the strains of a sultry Britney Spears cover, the curtains open.

Launching the second half of the show at the Crazy Horse tonight is Undress to Kill, a striptease like no other, designed by Dita Von Teese. The dancer is completely nude, dressed instead in Le Crazy’s signature projections – a backless red dress slowly morphs into an intricate veil of lace as the performer leans in and out of the light.

Today, the Crazy Horse is the most famous cabaret in the city. The artistic vision of Andrée Deissenberg, previously of Cirque du Soleil, it’s become a Parisian institution, renowned for its celebration of femininity and beauty. Under the guidance of Creative Director Ali Mahdavi, they aim to glorify “the powerful, dominant, insubordinate female” – essentially women who like to run the show.

Since Andrée took the reins ten years ago, Le Crazy has gone from strength to strength, with Dita Von Teese by no means the most famous collaborator. The last few years have seen famous faces such as Conchita Wurst take to the stage, and the star-studded audience range from Rihanna and John Legend to Cara Delevingne and Jean Paul Gaultier.

If some of the acts look familiar, it could be because Beyoncé modelled her video for Partition on some of Le Crazy’s signature performances. Her hypnotic fan of legs above a mirrored stage, and pole dancers illuminated bit-by-bit as if scanned by a sliver of light, are close to carbon copies of the originals.